October 8, 2012 § Leave a comment
‘The insertion of photography into the discursive field of management and the capitalist process of production, as a mechanism of objectification and as an instrument of subjection, is within the broader parameters of the desire of power of capital to know, realise, and control labour in its own image’
(Suren Lalvani (1996) Photography, Vision and the Production of Modern Bodies, Albany: State University of New York Press, p.139). Suren Lalvani was associate professor of humanities and communications at Pennsylvania State University until his early death in 1997, at the age of 43. Here is a short description addressing Lalvani’s work by Liz Wells from her edited publication, Photography: A Critical Introduction.