SPACE OF FLOWS: FRAMING AN UNSEEN REALITY (Documentation)

August 21, 2018 § Leave a comment

Data & Power (Panel, Krakow, May 2018)

‘Featuring an international slate of artists, the festival focuses on the ceaseless flow of people, information, and substances, through expanding urban areas, the virtual realm of cyberspace, and endangered natural landscapes. In the face of worldwide streams of refugees and migrants, an overload of manipulable digital information, and injurious amounts of harmful particles suspended in the atmosphere and discharged into waterways, those in power look the other way. And all the while they withdraw and intensify control to protect what they have. Short-term success is favoured over having a sustained vision of the future’ Iris Sikking, Curator Krakow Photomonth 2018

Extracts from THE MARKET (2010-) /RYNEK (2010-)(installation at the Szara Kamienica Gallery)

Installation comprised Photographs, Powerpoint Presentation, Transcripts of Verbal Testimony, A4 Colour Photograph/Text Pamphlet, Film & 3D Data Visualisation.Algorithm & Soundscape composition Ken Curran / Data Visualisation Damien Byrne.

The project was installed alongside excellent projects by Susan Schuppli, Axel BraunEline Benjaminsen.

As part of the official programme, a panel titled, Data & Power took place on Saturday, May 26th at Bunkier Sztuki Gallery of Contemporary Art. Participants were Iris Sikking, Dominik Skokowski, Eline Benjaminsen, Mark Curran, Esther Hovers, Clément Lambelet, Rune Peitersen, Salvatore Vitale and was moderated by Alicja Peszkowska. To a full house the event went overtime due to audience responses and discussion. It was documented and available below.

‘A more perfect reminder of exactly how on-time and urgent these artists and their projects are, considering our connected world, even the very ground we walk upon. These stories remain resident in my consciousness and now alert me at odd moments to pay attention, to observe my own special omens’ From review by Christiane Monarchi on Photomonitor.co.uk available here.

Thank you to Iris Sikking for her generous invitation and to Aga Dwernicka, Joanna Gorlach, Karolina Leśniak, Marcin & Małgo and team in Krakow for all their hard work.

 

THE MARKET has been curated by Helen Carey (Director, Firestation Artists’ Studios) and supported by the Arts Council of Ireland, Arts Council of Northern Ireland, NEPN (University of Sunderland, UK), Noorderlicht (Netherlands), Institute of Art, Design & Technology (IADT), Gallery of Photography (Dublin), Belfast Exposed & Culture Ireland.

Installation THE MARKET Le Bleu du Ciel, Lyon

October 19, 2017 § Leave a comment

IMG_9222Credit Suisse (Access denied)
Canary Wharf
London England
March 2013 (left)

Anthony, Analyst (negotiation 1.5 years)
The City
London, England
May 2013 (right)

‘In the evolutionary aftermath of the global economic collapse and absence of sustained audio-visual engagement with the central locus of this catastrophic event, the ongoing multi-media transnational project, THE MARKET (2010-), critically addresses the functioning and condition of the global markets and the role of financial capital. It is the continuation of a cycle of long-term projects, beginning in the late 1990s, focused on the predatory context resulting from migrations of global capital.

IMG_9230Bethlehem, Trader (negotiation 1.5 years)
Ethiopian Commodity Exchange (ECX)
Addis Abeba, Ethiopia
September 2012
IMG_9226The Viewing Gallery
Ethiopian Commodity Exchange (ECX)
Addis Abeba, Ethiopia
September, 2012
(Single channel HD digital video, silent, looped 9’’)
James, Operations Manager (negotiation 1 year)
Irish Stock Exchange (ISE)
Dublin, Ireland
April 2012
Transcripts (Dublin, London, Addis Abeba)

‘Having undertaken an extensive process of negotiation, averaging 1.5-2 years, to access strategic sites/individuals, the ethnographically-informed project incorporates photographs, film, soundscape, artifactual material, 3D data visualisation & transcripts of verbal testimony. Taking the sphere out of abstraction & positioning it as a pervasive force central to our lives, themes include algorithmic machinery of financial markets, central innovator of this technology, absorption of crises as normalisation of deviance & long range mapping & consequences of financial activity distanced from citizens & everyday life. Profiles include traders, bankers & financial analysts & documentation from London, Dublin, Frankfurt, Amsterdam & Addis Abeba’

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Transcripts (Detail)(Dublin, London, Addis Abeba)

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Algorithmic Surrealism 2015
Landscaped Park (International Investment Bank)
Zuidas Global Financial District
Amsterdam, Netherlands

(Single channel HD digital video, colour, sound/voiceover 11’04’’)

The installation includes the film, Algorithmic Surrealism (follow link for excerpt) made in the new financial district of Zuidas (Amsterdam), global centre for algorithmic trading & shadow banking, while the voiceover of the film is adapted from a text by former trader, Brett Scott. Forecasted that there will be no human traders within a decade, the film suggests the hegemony of High Frequency Trading (HFT) and extinction of human reason – including empathy and ethics – will perpetuate the power relations of minority wealth in globalised capitalist systems.

IMG_9249

Financial Surrealism/Systemic Risk
Colour A4 image and text – Shadowbanking

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Artifacts & Correspondence regarding process to secure access to Deutsche Börse AG, Frankfurt/Eschborn 2012 including Letter requesting access to Deutsche Börse AG
from the Irish Ambassador to Germany, Berlin, Germany, November 2011
(accessd denied)
Framed emails/ Vitrine

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Artifacts & Correspondence regarding process to secure access to Deutsche Börse AG, Frankfurt/Eschborn 2012 (accessd denied)

IMG_9266

Artifacts & Correspondence regarding process to secure access to Deutsche Börse AG, Frankfurt/Eschborn 2012 (accessd denied)
(detail)

IMG_9269

Deutsche Börse II (Acess denied)
Eschborn (near Frankfurt)
Germany
March 2012

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The Television Studio
Selected Reports from German Television (2012 – 2013) from Frankfurt Börse (Stock Exchange)
(described in the vernacular by Deutsche Börse AG (owners) as ‘The Television Studio’)
Frankfurt, Germany

Digital Video, Silent, Looped (28 minutes)

IMG_9289

Taika, External Relations Associate (negotiation 1.5 years)
Ethiopian Commodity Exchange (ECX)
Addis Abeba, Ethiopia
September 2012

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Matthew, Banker (negotiation 2 years)
Canary Wharf
London, England
March 2013
Poster/Text

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JP Morgan (formerly Lehman Brothers)(Access denied)
Canary Wharf
London, England
February 2013

‘Titled the Normalisation of Deviance, through the application of an algorithm identifying the words market and/or markets in public speeches by relevant national Ministers of Finance, the data is then transformed to create the installation soundscape. For Le Bleu du Ciel, the algorithmic translation of the former minister, Pierre Moscovici is presented. To date, those of Michael Noonan (Ireland), George Osborne (UK) and Jeroen Dijsselbloem (Netherlands & Eurozone Group President) have also been included in exhibitions in those countries – to represent contemporary financial capital functioning through the conduit of the now financialised nation state”

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Financial District, Lyon
(Window, main gallery space)

The installation is part of the year-long programme, Suite-Nouveau Documentaire by Gilles Verneret, Director, Le Bleu du Ciel and part of official programme Resonance de la Biennale de Lyon 2017. Participation has been generously supported by Culture Ireland.

Exhibition from September 28 – November 25, 2017.

The project has been curated by Helen Carey (Director, Firestation Artists’ Studios) and supported by the Arts Council of Ireland, Arts Council of Northern Ireland, NEPN (University of Sunderland, UK), Noorderlicht (Netherlands), Institute of Art, Design & Technology (IADT), Gallery of Photography, Belfast Exposed & Culture Ireland.

Algorithm & Sound Composition Ken Curran

Full information here.

The Economy of Appearances @ Limerick City Gallery of Art

September 3, 2015 § Leave a comment

LCGA e-vite The Economy of Apperances Mark Curran curated by Helen Carey

Opening Thursday, 3 September

‘In Mark Curran’s practice, projects unfold over time. (Since the late nineties) Curran has undertaken a cycle of long-term, ethnographically-informed multimedia research projects addressing the predatory context resulting from migrations and flows of global capital…in this major exhibition, The Economy of Appearances, he draws these projects together for the first time, while expanding the enquiry with newly commissioned work completed in Amsterdam. Incorporating photographs, film, sound, artifactual material and testimony, themes include algorithmic machinery of financial markets, innovator of this technology, absorption of crises as normalisation of deviance, and long range mapping and consequences of financial activity distanced from citizens and everyday life…’
Helen Carey

E-Flux announcement & full text here. Continuing until 30 October

Limerick City Gallery of Art
Carnegie Building
Pery Square
Limerick
Ireland

Thanks to Arts Council of Ireland, Noorderlicht (Netherlands), NEPN (University of Sunderland, UK), Institute of Art, Design & Technology (IADT), Belfast Exposed, Arts Council of Northern Ireland, Gallery of Photography & Culture Ireland

Acknowledgments
Algorithm Design & Sound Composition Ken Curran, 3D Data Visualisation Damien Byrne, Editor Lidia Rossner, Voice Claudia Schäfer Script adapted from an original essay by Brett Scott

Image
Algorithmic Surrealism 2015 (digital still)
(Single channel HD digital video, colour, sound/voiceover)
Zuidas Global Financial District, Amsterdam, Netherlands

MAPPING THE FRONTIERS OF HIGH FINANCE

April 21, 2015 § Leave a comment

Screen Shot 2015-04-08 at 4.33.18 PM

As part of this event occurring at the Royal Anthropological Institute (RAI) in London on Saturday, April 25th, Mark Curran has been invited to present on his practice-led research in relation to THE MARKET.

The intention of this, the first of a series, is to

bring together anthropologists, accountancy scholars, literature scholars and artists using anthropological concepts and ethnographic methods in their work…to explore past, present and possible artistic techniques for visualizing information in capital markets, tracking offshore financial flows, and mapping relatedness among financial elites.

Other contributors include, Brett Scott (co-organiser), Paolo Quattrone, Femke Herregraven, Paul Crosthwaite, Paolo Cirio, Gemma Aellah & Paul Gilbert (co-organiser).

Final programme is available here.
Biographies of all speakers is here.

This is a free event and open to the public. Full details can be found here.

With support from the Institute of Art, Design & Technology (IADT).

(Image: Installation of THE MARKET: A project by Mark Curran, Belfast Exposed Gallery, 2013)

THE MARKET @ Belfast Exposed

August 29, 2013 § Leave a comment

Void Visitors Pass, Eschborn, Frankfurt, Germany, March 2012

Void Visitors Pass, Eschborn, Frankfurt, Germany, March 2012

THE MARKET

An installation by Mark Curran
Curated by Helen Carey
Opening: Thursday 29 August 7 – 9pm
Exhibition runs 30 August – 11 October 2013
…what people don’t understand… is that what happens in the market is pivotal to their lives… not on the periphery…but slap, bang, in the middle…
(From telephone conversation with trader, name withheld, Dealing Room, Investment Bank, London, February 2013)
THE MARKET by Mark Curran is a critical and unflinching interrogation of the current context of global stock and commodity markets in the aftermath of the global economic collapse.
In this on-going project, Curran seeks access to the physical spaces that represent centres of global stock and commodity markets; spaces where futures are literally and metaphorically speculated upon.  Multi-sited access has been sought in strategic locations and a series of photographs and interviews have been made in the Irish Stock Exchange in Dublin, the financial centres of Canary Wharf and the City in London and the Ethiopian Commodity Exchange in Addis Abeba (established in 2008 and the youngest exchange in the world). While access was unsuccessful in the Deutsche Borse in Frankfurt, it continues in relation to the Bombay Stock Exchange Mumbai (site of the oldest exchange in Asia) and the New York Stock Exchange.
Curran excavates these locations focusing on their operating functions, and the individuals who inhabit and labour in these spaces. It is the tension between the human individual experience and the increasingly cyber-based, algorithmic systems that govern the Market that provides an underlying sense of urgency to the project. Conceptually pivotal to THE MARKET is a desire to make visible an understanding of such sites, to explore their interconnectedness and to illuminate the lack of general knowledge about the systems that control and regulate the Market. Through this project, Curran enables a reading of the Market that takes it out of abstraction and positions it as a real and pervasive force that is absolutely central to our lives.
Acknowledging the technological evolution of the markets towards primarily non-human apparatus, generated from algorithms identifying the wordsMarket or Markets from speeches given by the British Chancellor of the Exchequer, George Osborne, the soundscape of the installation represents the defining sound of the market, the sound of Capital through the conjuit apparatus of the Nation-State.
The artist has taken an ethnographic approach to the project, amassing a substantial body of research incorporating; photography, verbal testimony, digital video, artefactual material as well as the correspondence negotiating access to the sites. In the installation at Belfast Exposed, the relationship between the individual and the abstract algorithmic systems of the Market is heightened through a sound piece designed by Ken Curran that permeates the gallery space.
This exhibition is part of a larger series of visual art events marking the centenary of the 1913 Dublin Lockout, a project curated by Helen Carey, Director Limerick City Gallery of Art. Partner organisations include Belfast Exposed Photography, Gallery of Photography, Dublin, Limerick City Gallery of Art and CCA Derry-Londonderry.
Exhibition Events
30 August 12.30pm | Mark Curran will be in conversation with Curator Helen Carey, opening up some of the key issues of this project. This is a free event, please register with ciara@belfastexposed.org to reserve a place.

Further information available here.

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