March 25, 2016 § Leave a comment
‘In Mark Curran’s practice, projects unfold over time. (Since the late nineties) Curran has undertaken a cycle of long-term, ethnographically-informed multimedia research projects addressing the predatory context resulting from migrations and flows of global capital…in this major exhibition, The Economy of Appearances, Curran draws these projects together for the first time, expanding the enquiry with newly commissioned work completed in Amsterdam. Incorporating photographs, film, sound, artifactual material and testimony, themes include algorithmic machinery of financial markets, as innovator of this technology, absorption of crises as normalisation of deviance, and long range mapping and consequences of financial activity distanced from citizens and everyday life’ Helen Carey
from Installation at Limerick City Gallery of Art (Autumn 2015)
Filming Isabella Walsh
Editing Isabella Walsh & Mark Curran
Thanks to Arts Council Ireland, Noorderlicht Photography, NEPN (University of Sunderland), Institute of Art, Design & Technology (IADT), Belfast Exposed Photography Gallery, Arts Council of Northern Ireland, Gallery of Photography & Culture Ireland
Full information here (e-flux).
Installation images here.
July 8, 2012 § 1 Comment
Having first visited the region in late 2003, seeking the impact of global capital in a periphery of Europe, as had been experienced in my native Ireland, I quickly realised that it was in fact the antithesis of this experience. Prior to the global economic collapse, but as evidenced by the above prophetic words of Marco, I encountered an emptying and the recognition that the same globalising forces which had transformed unrestrained the landscape of my origins, were indeed transforming this landscape through its forces of withdrawal and seepage – a globalised hemorrhaging. As a result, jobs were and continue to go further East while its younger population migrates to the West and in 2007, the Lausitz came last in a national survey addressing future prospects.
Informed by ethnographic understandings and incorporating audio digital video, photography, cross-generational testimony and artefactual material, the project has been constructed in the context of a landscape shaped by and inscribed with the utopic ideological aspirations of modernity – industrialisation, socialism and now at great cost, globalisation. In totality, the region invokes Marshall Berman’s ‘wounds of modernity’ resulting from the ‘cycles of destruction’ necessary for the functioning of capital. A pivotal emphasis for the project, is the catalyst for the region itself, the Tagebau and critically viewing it as perhaps a metaphor for late capitalism – finite, fragile and ultimately, unsustainable.
The production of the project has been generously supported by the Arts Council of Ireland.
Further information and location of exhibition available here.
Video documentation of the installation of the project as part of Encontros da Imagem in Braga, Portugal in 2011 can be viewed here.