June 16, 2017 § Leave a comment
‘A Museum of Capitalism* is opening this June in Oakland, California. The museum will be the first of its kind in the United States remembering the historic era of capitalism, dedicated to “educating future generations about the ideology, history, and legacy of capitalism”. Through multimedia exhibits created by a diverse network of artists, scholars, and ordinary citizens, the museum’s opening exhibition will explore the historical phenomenon of capitalism and its intersections with themes including race, class, and the environment. Representing the collaborative efforts of a multidisciplinary team of curators, historians, artists, and designers, the museum’s inaugural exhibition will feature several multimedia exhibits and experiences created by some of today’s most dynamic artists.
Opening on Saturday, June 17th at 6pm. More information on events and ongoing programming here. The exhibition continues until August 20th, 2017.
The Museum of Capitalism is curated by Andrea Steves & Timothy Furstnau (FICTILIS) and includes work by Alexander Rose, Art for a Democratic Society, Ben Bigelow, Bureau d’Etudes, Chip Lord, Dread Scott, Igor Vamos, Jennifer Dalton, Jenny Odell, Jordan Bennett, Kambui Olujimi, Kate Haug, Marisa Jahn, Mark Curran, Michelle de la Vega, Oliver Ressler, Patricia Reed, Rimini Protokoll, Sharon Daniel, Superflex, Tim Portlock and Valeria Mogilevich amongst others.
The exhibition will also include a library where visitors can browse several collections and learn more about the exhibits, as well as a recreation of an early-21st Century museum gift shop. Artifacts of capitalism, donated and loaned from citizens across the country, will be on display alongside the exhibits.
August 21, 2012 § Leave a comment
This year’s Eva International, the artist-centered biennale held in Limerick, Ireland was guest curated by Annie Fletcher. Thematically titled, After The Future, the city-wide event sought to ‘to examine how certain artistic practices provide an active invocation of the present and speculate how we arrived here in the first place. This collaborative and multifaceted project takes as its point of departure the media theorist and activist Franco “Bifo” Berardi’s book, After The Future (AK Press, 2011), considering his admonishment of economic futurisms and advocacy for living slowly in the infinite present’. As Fletcher, Curator of Exhibitions at the Van Abbemuseum in Eindhoven, The Netherlands, elaborates:
Everywhere we look and everything we read right now seems to tell us we are at a new juncture. We are at an unprecedented moment of change – whether teetering on the edge of a financial precipice, or witnessing extraordinary new articulations of protest. This year eva International will attempt to tap into this feeling of immanence by understanding how artists define and explain the status quo in relation to global events. What are we on the verge of? How do artists envisage what is to come and what is to be done?
One of the central installations was the collaborative project, The Bull Laid Bear, by cross-disciplinary artists, Zanny Begg and Oliver Ressler. This 24 minute film, using interviews with economists and activists in the United States interspersed with animation and drawings and in the words of the authors:
‘lays bare’ the economic recession (bear market) that hides behind each boom time (bull market). The film pokes fun at the slippery justifications made for the bailouts and austerity packages by exploring how governments in the United States, and other countries such as Ireland, turned a banking crisis into a budgetary crisis at the governmental level.
Significant in both format and insight offered, a short clip can be viewed here.