TAXED TO THE MAX – NOORDERLICHT 2019 (NL)

October 5, 2019 § Leave a comment

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at least you are not afraid to live life on the brink of chaos
Groningen
THE NETHERLANDS
OCTOBER 6 – DECEMBER 1 2019
Offical opening October 5th
‘The 26th edition examines the societal tensions created by international conglomerates with their vast accumulations of capital and their influence on national and global politics. TAXED TO THE MAX asks: how does the increasingly perfected entanglement of corporatism, finance capital and modern government affect the lives of regular people?’

Incorporating photographic series, mixed media, video and sound installations, performances, and spatial work on this theme, artists include amongst others, Alan Gignoux, Brigitte de Langen, David Klammer, Davide Monteleone, Dorothée Elisa Baumann, Ezio D’Agostino, Gina Peyran Tan, Igor Tereshkov, Ishan Tankha, John Vink, Jos Jansen, Kanad Chakrabarti, Mari Bastashevski, Mark Curran, Martin Toft, Oliver Ressler & Zanny Begg, Thomas Kuijpers & Ursula Biemann.

This edition will include installation of The Breathing Factory (2002-2006) at the Centrum Beeldende Kunst (CBK) Groningen. The project was originally supported by Arts Council, Belfast Exposed, Butler Gallery & Gallery of Photography & published by Edition Braus (2006)

The Breathing Factory critically addresses the role and representation of labour and global labour practices in this newly industrialised landscape as manifest in manufacturing and technology. Global industrial practices are characterised by fleeting alliances, transient spaces as capital moves when and as required. In such an ephemeral, precarious and globalised context, the project focuses specifically upon the Hewlett-Packard Manufacturing and Technology Campus, part of a cluster formation of multinational technology complexes, in Leixlip in the east of Ireland’

The Breathing Factory was the outcome of practice-led masters & doctorate research, one of the first in the Republic of Ireland. More information here.

Full PDF of book available for free download here.

 

PUBLIC TALK (UK) – NEPN

November 14, 2016 § Leave a comment

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NEPN is pleased to welcome Mark Curran to Newcastle to speak about his photographic practice on Wednesday 16 November at 6.30pm at the Mining Institute, Neville Hall, Westgate Road, Newcastle, NE1 1SE.

The talk will start at 6.30pm prompt in the Lecture Theatre and will be followed by drinks and informal conversation in the Library until 8.30pm.

The talk is free however booking is requested HERE.

Mark Curran is an artist researcher and educator who lives and works in Berlin and Dublin. He holds a practice-led PhD from the Dublin Institute of Technology, is Lecturer on the BA (Hons) Photography programme, Institute of Art, Design & Technology (IADT), Dublin and Visiting Professor on the MA in Visual & Media Anthropology, Freie Universität Berlin.

Incorporating multi-media installation informed by ethnographic understandings, since the late 1990s, Curran has undertaken a cycle of long-term research projects, critically addressing the predatory context resulting from the migrations and flows of global capital. These have been extensively published and exhibited, including DePaul Art Museum, Chicago (2010), Encontros da Imagem, Braga (2011), PhotoIreland, Dublin (2012), Grimmuseum, Berlin (2013) & FORMAT, Derby (2013). He has also presented widely including The Photographers’ Gallery, London (2012), Irish Museum of Modern Art (IMMA) (2013), Abbey Theatre, Dublin (2014), McGill University, Montreal (2014), Royal Anthropological Institute, London (2015), University of Ljubljana (2015), University of Bern (2015), Glucksman Gallery of Art (2016) & Boston University (2016).

Mark Curran’s The Economy of Appearances was commissioned by Noorderlicht Photofestival 2015 and NEPN. Sited in the new financial district of Zuidas on the outskirts of Amsterdam, the work focuses on the Netherlands role in global structures of High Frequency Trading (HFT) and Shadow Banking. It is an elaboration of his long-term transnational research project, THE MARKET, focusing on the functioning and condition of the global markets.Taking the sphere out of abstraction and positioning it as a pervasive force central to our lives, themes include algorithmic machinery of financial markets, as central innovator of this technology, absorption of crises as normalisation of deviance, and long-range mapping and consequences of financial activity distanced from citizens and everyday life.

Supported by Arts Council of Ireland & curated by Helen Carey, THE MARKET has been presented at Gallery of Photography, Dublin (2013), Belfast Exposed Gallery (2013), Centre Culturel Irlandais, Paris (2014) and Noorderlicht, Groningen (2015). An extensive exhibition, titled The Economy of Appearances was presented at Limerick City Gallery of Art (LCGA), Ireland in Autumn 2015 and nominated by Christiane Monarchi, Photomonitor (UK) for the Deutsche Börse Photography Award 2016. Extracts from the project feature in a group exhibition on mapping global networks of capital titled, I Stood Before The Source currently installed at the Blackwood Gallery, Toronto, Canada. Future installations are confirmed for the UK & France in 2016/17 and a full publication of THE MARKET is also planned.

Links:

Video Profile: https://vimeo.com/user6725215 

Recent interview with Lewis Bush on Disphotic (UK): http://www.disphotic.com/market-interview-mark-curran/

Please note that disabled access to the Lecture Theatre is gained at the rear of the building and it is best to telephone the Mining Institute ahead on (0191) 232 2201.

Image: Financial Surrrealism (World Trade Center II)
, Hoarding, Zuidas Financial District, Amsterdam, Netherlands, From THE MARKET (2010-)

NEPN was established in 2009 to promote and develop photography in the North East of England and beyond. Working with photographers, artists, curators and a wide range of cultural partners, we aim to create a lively and informed context for photographic activity and to encourage new audiences for photography. NEPN is hosted by and is an initiative of the Northern Centre of Photography at the University of Sunderland.

its Since our launch NEPN has established a wider national and international profile for its programme and continues to act as an influential agency for photographers and lens-based artists.

To join NEPN’s mailing list to receive information about events and opportunities please sign up HERE

NEPN is funded by the University of Sunderland. Current commissioning and professional development programme is supported by Arts Council England through Grants for the arts.

NEPN is a member of the North East Contemporary Visual Arts Network (CVAN).

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