SOUND VISION ACTION 2014

November 11, 2014 § Leave a comment

SVA2014_McGill

SOUND VISION ACTION 2014 taking place at McCord Museum in cooperation with McGill University in Montreal on Friday and Saturday, November 14-15. The event is open to the public and free of charge.

This international colloquium has been convened by Prof. Jonathan Sterne (McGill), Prof. Nicholas Mirzoeff (New York University) and Dr. Tamar Tembeck (McGill) with the intention to:

puts contemporary art and scholarship in sound studies and visual culture in direct dialogue around questions of power and politics.

It is organised through Media@McGill, a hub of research, scholarship and public outreach on issues and controversies in media, technology and culture, housed within the Department of Art History and Communication Studies at McGill University.

Panels:
Surveillance: Caren Kaplan, Karin Bijsterveld
Performance: Daphne Brooks, Amelia Jones
Militancy: Nathalie Casemajor, Ultra-red (Dont Rhine & Robert Sember)
Humanity: Negar Mottahedeh, Anette Hoffman
Capitalism: Mark Curran, Sumanth Gopinath
Mediation: Natalie Bookchin, Georgina Born

Mark Curran will present on the research project, THE MARKET, which focuses on the functioning and condition of the global markets. Supported by the Arts Council of Ireland, this was undertaken in collaboration with Helen Carey, Curator and Director of Firestation Artist’ Studios, the project was a central part of the visual art programme marking the centenary of the 1913 Dublin Lockout. It was installed at the Gallery of Photography, Dublin, Belfast Exposed, Limerick City Gallery of Art, CCA Derry-Londonderry and most recently at the Centre Culturel Irlandais in Paris (2014). A publication is planned for 2015.

Full list and overview of speakers available here. The event will be live streamed and then archived. Full details can be found at:
http://www.soundvisionaction.cc

Installation THE MARKET Centre Culturel Irlandais, Paris

February 25, 2014 § Leave a comment

CCI_Paris_6

CCI_Paris_2

CCI_Paris_3

CCI_Paris_1

The image below from the installation is titled The Normalisation of Deviance II shows Spectrograms, a moving visual representation of the soundscape of the installation. The soundscape has been generated through the data collated by an algorithm to identify how often the French Minister of Finance, Pierre Moscovici used the word Market or Markets in his public speeches during the year, 2013.

CCI_Paris_9

Online reviews of the installation

Le Monde

France Fine Art

Telerama

Slash Paris

Time Out Paris (English Version)

Paris Voice

Slate

The project has been generously supported by the Arts Council of Ireland and the installation in Paris by Culture Ireland.

The Theatre of Memory (Symposium), Abbey Theatre II

February 17, 2014 § Leave a comment

In mid-January, I was very pleased to be invited to contribute to the 3-day Theatre of Memory Symposium at the Abbey Theatre in Dublin. Titled, The Normalisation of Deviance: constructing THE MARKET, with introduction by Fiach Mac Conghail, Director of the Abbey, my presentation on the historic stage was recorded:

The event was attended by a full-house and a review is available on the Abbey website here. The full playlist of the recorded presentations by a rich array of speakers is available here. The symposium was the first of three annual events that are planned.

THE MARKET/ Centre Culturel Irlandais/ Paris

January 30, 2014 § Leave a comment

 
CCI Invitation (cover)

CCI Invitation (cover)


…what people don’t understand… is that what happens in the market is pivotal to their lives… not on the periphery, but slap, bang, in the middle…
(from telephone conversation with Trader (name withheld), Dealing Room, Investment Bank, London, February 2013)


Mark Curran’s challenging new project THE MARKET sets out to make visible – literally and metaphorically – the sphere where our futures are speculated upon. His multi-media installation includes photographs, films, transcripts of interviews and a soundscape that investigate the functioning of the global stock and commodity markets. From Dublin to London, Frankfurt and Addis Abeba, the artist concentrates on the experience of individuals working within a supremely complex system. 
In the installation at the Centre Culturel Irlandais, the relationship between the individual and the abstract algorithmic systems of the market is heightened through a sound piece designed by Ken Curran that permeates the gallery space, which is generated from algorithms identifying the words market or markets from public speeches given by the French Minister of Finance, Pierre Moscovici.

Opening of events will be made by 
Rory Montgomery, Irish Ambassador to France 
Nora Hickey M’Sichili, Director of Centre Culturel Irlandais
 
Centre Culturel Irlandais 
5, rue des Irlandais 

75005 – Paris 


January 30 – March 2
 
Opening Thursday, January 30 at 6.30pm

Opening times of the exhibitions:

2pm – 6pm Tuesday to Saturday

(Late opening Wednesday until 8pm)

12.30pm – 2.30pm Sunday


Full programme contextualising the exhibition on the opening weekend includes panel discussion with David McWilliams (Writer & Economist), Alfred M’Sichili (Philosopher & Political Economist), Helen Carey, Mark Uzan (Reinventing Bretton Woods Committee) and Mark Curran, an evening with the organisers of ‘Kilkenomics’.
 
In addition there will be a special screening on Saturday, February 1st at 5.00pm of the documentary, Skin in the Game, directed by Donald Taylor Black, (Filmmaker and Head of Department of Film & Media, IADT) addressing the response of artists in Ireland to the 2007 economic collapse.
 
Algorithms and soundscape design: Ken Curran.
The full programme is available here
 
This project was generously supported by the Arts Council of Ireland & the Arts Council of Northern Ireland.
It was presented in Ireland at Gallery of Photography, Belfast Exposed and Limerick City Gallery of Art as part of a nationwide artistic project in 2013, curated by Helen Carey (director of Limerick City Gallery of Art), to mark the centenary of the 1913 industrial conflict known as the Dublin Lockout.

The installation and events in Paris are supported by the Arts Council of Ireland and Culture Ireland.
 
Preview of show in Paris by Actual Colours May Vary can be found here.

The Theatre of Memory (Symposium), Abbey Theatre, Dublin

January 13, 2014 § Leave a comment

Unlocking the myths of our past to understand the present.

(image courtesy of the Abbey Theatre)

(image courtesy of the Abbey Theatre)

The symposium takes place at the Abbey Theatre, Dublin January 16-18, 2014

In this time of historical centenaries, Ireland’s national theatre presents a three-day symposium to debate the role of theatre in commemoration. Leading Irish playwrights, actors, directors and academics will come together to discuss the role of memory in making theatre and the challenges of commemorating historical events. This symposium will be a major event in Irish theatre and is an essential occasion for theatre enthusiasts and the general public. Symposium speakers:

President Michael D. Higgins

Tom Clonan
Peter Crawley
Catriona Crowe
Mark Curran
Mairead Delaney
Roddy Doyle
Colin Dunne
Grace Dyas
Lisa Farrelly
Jimmy Fay
Gerard Mannix Flynn
Stacey Gregg
Wayne Jordan
Richard Kearney (The Charles Seelig Professor in Philosophy, Boston College)
Declan Kiberd (Donald and Marilyn Keough Professor of Irish Studies, Notre Dame University)
Thomas Kilroy
Dr. Cathy Leeney (Lecturer in Drama Studies, University College Dublin)
Conor Linehan
Patrick Lonergan (Professor of Drama and Theatre Studies, NUI Galway)
Louise Lowe
Patrick Mason
Dr. Fearghal McGarry (Lecturer in History and Anthropology, Queens University)
Frank McGuinness (Professor of Creative Writing, School of English, Drama and Film, University College Dublin)
Eleanor Methven
Carl O’Brien
Emer O’Kelly
Fintan O’Toole
Dr. Rebecca Pelan
Dr. Emilie Pine (Lecturer in Modern Drama and Irish Studies, University College Dublin)
Stephen Rea
Declan Smyth
Prof. Kevin Whelan (Director, Keough Naughton Notre Dame Centre, Dublin)

Symposium Committee:

Fiach MacConghail (Director of the Abbey Theatre)
Aideen Howard (Literary Director of the Abbey Theatre)
Kelly Phelan (Convenor)

Full programme is available here.

MOMENTOUS TIMES (FORUM)

October 29, 2013 § Leave a comment

Marking the conclusion of the exhibition, Momentous Times, curated by Aileen Burns & Johan Lundh, a forum has been organised for Saturday, November 2nd at CCA Derry-Londonderry.

CCA_MT_2

Aideen Doran ‘Good Luck All Workers’ (2013)

The first two decades of the 20th century were undeniably momentous for people of Ireland on many fronts. There were major strikes for dock, tram, and factory workers from Belfast to Cork, Galway to Limerick, from 1907 to 1913, culminating in the Dublin Lockout.

The centenary of the Dublin Lockout has prompted CCA to consider conditions of labour and the role of representation in shaping work and workers’ rights between three moments: 1913, 2013, and 2113. Through an exhibition, public forums, screenings, and a publication, Momentous Times examines the past, explores the present, and speculates about the future of labour.

On Saturday, November 2nd, we will host the second and last public forum between noon and 6 pm, organised and moderated by scholar and writer Marina Vishmidt. The forum will feature presentations by Mark Curran, Eamonn McCann, Anthony Iles, Precarious Workers Brigade, Kerstin Stakemeier, Hito Steyerl, and Josefine Wikström.

Full details and programme are available here.

Installation: THE MARKET

September 8, 2013 § Leave a comment

Gallery of Photography, Dublin 24 August – 1 october 2013

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

The image above of part of the installation titled The Normalisation of Deviance shows Spectrograms, a moving visual representation of the soundscape of the installation. The soundscape has been generated through the data generated through the use of an algorithm to identify how often the Irish Minister for Finance has used the word Market or Markets in his public speeches since taking office.

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

(installation photograph by Jamin Keogh)

Belfast Exposed 29 August – 11 October

1_BX_TM_Curran

2_BX_TM_Curran

The installation is similarly framed by the soundscape generated through the data generated by an algorithm identifying the application of the words Market or Markets by the British Chancellor of the Exchequer in his public speeches since taking office.

3_BX_TM_Curran

5_BX_TM_Curran

7_BX_TM_Curran

The installation image below shows the 6 feet high stack of A4 paper also titled The Normalisation of Deviance as part of the installation. This equates to the findings by a Chicago-based researcher of the number of global positions taken through the use of algorithms on one stock in one nanosecond. The total was 14,000 and equates to this amount of paper if this data was printed out. On the pages facing up is the quote:

…what people don’t understand… is that what happens in the market is pivotal to their lives… not on the periphery…but slap, bang, in the middle…
(From telephone conversation with trader, name withheld, Dealing Room, Investment Bank, London, February 2013

4_BX_TM_Curran

Further information available here and here.

THE MARKET @ Belfast Exposed

August 29, 2013 § Leave a comment

Void Visitors Pass, Eschborn, Frankfurt, Germany, March 2012

Void Visitors Pass, Eschborn, Frankfurt, Germany, March 2012

THE MARKET

An installation by Mark Curran
Curated by Helen Carey
Opening: Thursday 29 August 7 – 9pm
Exhibition runs 30 August – 11 October 2013
…what people don’t understand… is that what happens in the market is pivotal to their lives… not on the periphery…but slap, bang, in the middle…
(From telephone conversation with trader, name withheld, Dealing Room, Investment Bank, London, February 2013)
THE MARKET by Mark Curran is a critical and unflinching interrogation of the current context of global stock and commodity markets in the aftermath of the global economic collapse.
In this on-going project, Curran seeks access to the physical spaces that represent centres of global stock and commodity markets; spaces where futures are literally and metaphorically speculated upon.  Multi-sited access has been sought in strategic locations and a series of photographs and interviews have been made in the Irish Stock Exchange in Dublin, the financial centres of Canary Wharf and the City in London and the Ethiopian Commodity Exchange in Addis Abeba (established in 2008 and the youngest exchange in the world). While access was unsuccessful in the Deutsche Borse in Frankfurt, it continues in relation to the Bombay Stock Exchange Mumbai (site of the oldest exchange in Asia) and the New York Stock Exchange.
Curran excavates these locations focusing on their operating functions, and the individuals who inhabit and labour in these spaces. It is the tension between the human individual experience and the increasingly cyber-based, algorithmic systems that govern the Market that provides an underlying sense of urgency to the project. Conceptually pivotal to THE MARKET is a desire to make visible an understanding of such sites, to explore their interconnectedness and to illuminate the lack of general knowledge about the systems that control and regulate the Market. Through this project, Curran enables a reading of the Market that takes it out of abstraction and positions it as a real and pervasive force that is absolutely central to our lives.
Acknowledging the technological evolution of the markets towards primarily non-human apparatus, generated from algorithms identifying the wordsMarket or Markets from speeches given by the British Chancellor of the Exchequer, George Osborne, the soundscape of the installation represents the defining sound of the market, the sound of Capital through the conjuit apparatus of the Nation-State.
The artist has taken an ethnographic approach to the project, amassing a substantial body of research incorporating; photography, verbal testimony, digital video, artefactual material as well as the correspondence negotiating access to the sites. In the installation at Belfast Exposed, the relationship between the individual and the abstract algorithmic systems of the Market is heightened through a sound piece designed by Ken Curran that permeates the gallery space.
This exhibition is part of a larger series of visual art events marking the centenary of the 1913 Dublin Lockout, a project curated by Helen Carey, Director Limerick City Gallery of Art. Partner organisations include Belfast Exposed Photography, Gallery of Photography, Dublin, Limerick City Gallery of Art and CCA Derry-Londonderry.
Exhibition Events
30 August 12.30pm | Mark Curran will be in conversation with Curator Helen Carey, opening up some of the key issues of this project. This is a free event, please register with ciara@belfastexposed.org to reserve a place.

Further information available here.

THE MARKET @ Gallery of Photography, Dublin

August 22, 2013 § Leave a comment

THEMARKET_evite (2)

The installation of THE MARKET by Mark Curran, curated by Helen Carey, on the function and condition of the global stock and commodity markets will be opened this Friday, August 23rd at 6.30pm by Orlaith McBride, Director of the Arts Council of Ireland at the Gallery of Photography, Dublin.

The show continues until October 1st. (Algorithm and sound design by Ken Curran). Further information here.

LABOUR & LOCKOUT: ‘you take my life when you do take the means whereby I live’

August 2, 2013 § Leave a comment

Labour&Lockout_evite

Opening Thursday, August 8th at the Limerick City Gallery of Art, this group show curated by Helen Carey, employs the context of the centenary of the 1913 Dublin Lockout as a means to reflect and address its significance for the present. The show continues until October 1st.

Artists include Deirdre O’Mahony, Anthony Haughey, Deirdre Power, Darek Fortas, Jesse Jones, Sean Lynch, Seamus FarrellMegs Morley & Tom Flanagan and Mark Curran.

In addition, from the 26-28 September, the research collective, Future Stateis collaborating with Goldsmiths, University of London and Limerick City Gallery of Art to host Land Labour Capital, a three-day event of film screenings, artist talks, seminars and workshops related to the exhibition theme. Keynote speakers will include, Deirdre O’MahonyProfessor Nicholas MirzoeffDr Angela Dimitrakaki and Mark Curran. 

Full details can be found here.

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