MAPPING THE FRONTIERS OF HIGH FINANCE
April 21, 2015 § Leave a comment
As part of this event occurring at the Royal Anthropological Institute (RAI) in London on Saturday, April 25th, Mark Curran has been invited to present on his practice-led research in relation to THE MARKET.
The intention of this, the first of a series, is to
bring together anthropologists, accountancy scholars, literature scholars and artists using anthropological concepts and ethnographic methods in their work…to explore past, present and possible artistic techniques for visualizing information in capital markets, tracking offshore financial flows, and mapping relatedness among financial elites.
Other contributors include, Brett Scott (co-organiser), Paolo Quattrone, Femke Herregraven, Paul Crosthwaite, Paolo Cirio, Gemma Aellah & Paul Gilbert (co-organiser).
Final programme is available here.
Biographies of all speakers is here.
This is a free event and open to the public. Full details can be found here.
With support from the Institute of Art, Design & Technology (IADT).
(Image: Installation of THE MARKET: A project by Mark Curran, Belfast Exposed Gallery, 2013)
SOUND VISION ACTION 2014 (Update)
December 17, 2014 § Leave a comment
Shadows, the open illusion of the global economy and the curtain soon to fall.
Gathered in Montreal for #SVA2014 in November through the energies of the team of Media@McGill, graduate students, Jonathan Sterne, Nicholas Mirzoeff and Tamar Tembeck. The resulting presentations and discussion have now been fully archived. Includes Natalie Bookchin, Caren Kaplan, Negar Mottahedeh, Amelia Jones, Daphne Brooks, Anette Hoffmann, Dont Rhine (Ultra-Red), Karin Bijsterveld, Nathalie Casemajor and Sumanth Gopinath (whom I shared a panel on the theme of Capitalism) amongst others.
This is the The Normalisation of Deviance and the construction of THE MARKET.
The complete archive of presentations and discussions is available here.
SOUND VISION ACTION 2014
November 11, 2014 § Leave a comment
SOUND VISION ACTION 2014 taking place at McCord Museum in cooperation with McGill University in Montreal on Friday and Saturday, November 14-15. The event is open to the public and free of charge.
This international colloquium has been convened by Prof. Jonathan Sterne (McGill), Prof. Nicholas Mirzoeff (New York University) and Dr. Tamar Tembeck (McGill) with the intention to:
puts contemporary art and scholarship in sound studies and visual culture in direct dialogue around questions of power and politics.
It is organised through Media@McGill, a hub of research, scholarship and public outreach on issues and controversies in media, technology and culture, housed within the Department of Art History and Communication Studies at McGill University.
Panels:
Surveillance: Caren Kaplan, Karin Bijsterveld
Performance: Daphne Brooks, Amelia Jones
Militancy: Nathalie Casemajor, Ultra-red (Dont Rhine & Robert Sember)
Humanity: Negar Mottahedeh, Anette Hoffman
Capitalism: Mark Curran, Sumanth Gopinath
Mediation: Natalie Bookchin, Georgina Born
Mark Curran will present on the research project, THE MARKET, which focuses on the functioning and condition of the global markets. Supported by the Arts Council of Ireland, this was undertaken in collaboration with Helen Carey, Curator and Director of Firestation Artist’ Studios, the project was a central part of the visual art programme marking the centenary of the 1913 Dublin Lockout. It was installed at the Gallery of Photography, Dublin, Belfast Exposed, Limerick City Gallery of Art, CCA Derry-Londonderry and most recently at the Centre Culturel Irlandais in Paris (2014). A publication is planned for 2015.
Full list and overview of speakers available here. The event will be live streamed and then archived. Full details can be found at:
http://www.soundvisionaction.cc
PROGRESS REPORT
May 15, 2014 § 1 Comment
It has been some time since the last post. This followed an intensive series of events around THE MARKET , most recently being a very successful installation at the Centre Culturel Irlandais. The public and media response in Paris, further underscored the profound interest in, and indeed a need to discuss, the subject matter of the project, a subject matter that continues to grip the world.
In addition, the time away from posting has provided a chance to reflect upon where the project finds itself. The intention is to now make a further research trip later in the summer to a site in Asia that has always been viewed as a pivotal location for the project. As elsewhere, this is dependent on securing access. To date, the process of negotiation has taken almost 2 years. However, a central conceptual framing has been both how access embodies a state of relation and condition of the functioning of the markets.
In anticipation of securing access, the plan is then is for a significant publication of the complete project to appear in 2015.
In the meantime, this blog/gathering place will continue to host posts in relation to THE MARKET. Enabling a means to reflect on the research process and indeed how the mechanism/momentum of financial capitalism continues to play itself out. Perhaps to completion.
Finally, as part of this post. Here is a short video of the first installation, which includes the audio of the algorithmic soundscape, The Normalisation of Deviance as installed at the Gallery of Photography in Dublin late last year.
Installation THE MARKET Centre Culturel Irlandais, Paris
February 25, 2014 § Leave a comment
The image below from the installation is titled The Normalisation of Deviance II shows Spectrograms, a moving visual representation of the soundscape of the installation. The soundscape has been generated through the data collated by an algorithm to identify how often the French Minister of Finance, Pierre Moscovici used the word Market or Markets in his public speeches during the year, 2013.
Online reviews of the installation
Time Out Paris (English Version)
The project has been generously supported by the Arts Council of Ireland and the installation in Paris by Culture Ireland.
The Theatre of Memory (Symposium), Abbey Theatre II
February 17, 2014 § Leave a comment
In mid-January, I was very pleased to be invited to contribute to the 3-day Theatre of Memory Symposium at the Abbey Theatre in Dublin. Titled, The Normalisation of Deviance: constructing THE MARKET, with introduction by Fiach Mac Conghail, Director of the Abbey, my presentation on the historic stage was recorded:
The event was attended by a full-house and a review is available on the Abbey website here. The full playlist of the recorded presentations by a rich array of speakers is available here. The symposium was the first of three annual events that are planned.
THE MARKET/ Centre Culturel Irlandais/ Paris
January 30, 2014 § Leave a comment
…what people don’t understand… is that what happens in the market is pivotal to their lives… not on the periphery, but slap, bang, in the middle…
(from telephone conversation with Trader (name withheld), Dealing Room, Investment Bank, London, February 2013)
Mark Curran’s challenging new project THE MARKET sets out to make visible – literally and metaphorically – the sphere where our futures are speculated upon. His multi-media installation includes photographs, films, transcripts of interviews and a soundscape that investigate the functioning of the global stock and commodity markets. From Dublin to London, Frankfurt and Addis Abeba, the artist concentrates on the experience of individuals working within a supremely complex system. In the installation at the Centre Culturel Irlandais, the relationship between the individual and the abstract algorithmic systems of the market is heightened through a sound piece designed by Ken Curran that permeates the gallery space, which is generated from algorithms identifying the words market or markets from public speeches given by the French Minister of Finance, Pierre Moscovici.
Nora Hickey M’Sichili, Director of Centre Culturel Irlandais
5, rue des Irlandais
75005 – Paris
January 30 – March 2
Opening times of the exhibitions:
2pm – 6pm Tuesday to Saturday
(Late opening Wednesday until 8pm)
12.30pm – 2.30pm Sunday
Full programme contextualising the exhibition on the opening weekend includes panel discussion with David McWilliams (Writer & Economist), Alfred M’Sichili (Philosopher & Political Economist), Helen Carey, Mark Uzan (Reinventing Bretton Woods Committee) and Mark Curran, an evening with the organisers of ‘Kilkenomics’.
The installation and events in Paris are supported by the Arts Council of Ireland and Culture Ireland.
The Theatre of Memory (Symposium), Abbey Theatre, Dublin
January 13, 2014 § Leave a comment
Unlocking the myths of our past to understand the present.
The symposium takes place at the Abbey Theatre, Dublin January 16-18, 2014
In this time of historical centenaries, Ireland’s national theatre presents a three-day symposium to debate the role of theatre in commemoration. Leading Irish playwrights, actors, directors and academics will come together to discuss the role of memory in making theatre and the challenges of commemorating historical events. This symposium will be a major event in Irish theatre and is an essential occasion for theatre enthusiasts and the general public. Symposium speakers:
President Michael D. Higgins
Tom Clonan
Peter Crawley
Catriona Crowe
Mark Curran
Mairead Delaney
Roddy Doyle
Colin Dunne
Grace Dyas
Lisa Farrelly
Jimmy Fay
Gerard Mannix Flynn
Stacey Gregg
Wayne Jordan
Richard Kearney (The Charles Seelig Professor in Philosophy, Boston College)
Declan Kiberd (Donald and Marilyn Keough Professor of Irish Studies, Notre Dame University)
Thomas Kilroy
Dr. Cathy Leeney (Lecturer in Drama Studies, University College Dublin)
Conor Linehan
Patrick Lonergan (Professor of Drama and Theatre Studies, NUI Galway)
Louise Lowe
Patrick Mason
Dr. Fearghal McGarry (Lecturer in History and Anthropology, Queens University)
Frank McGuinness (Professor of Creative Writing, School of English, Drama and Film, University College Dublin)
Eleanor Methven
Carl O’Brien
Emer O’Kelly
Fintan O’Toole
Dr. Rebecca Pelan
Dr. Emilie Pine (Lecturer in Modern Drama and Irish Studies, University College Dublin)
Stephen Rea
Declan Smyth
Prof. Kevin Whelan (Director, Keough Naughton Notre Dame Centre, Dublin)
Symposium Committee:
Fiach MacConghail (Director of the Abbey Theatre)
Aideen Howard (Literary Director of the Abbey Theatre)
Kelly Phelan (Convenor)
Full programme is available here.
THE IRISH REVIEW
December 20, 2013 § Leave a comment
The latest edition of the bi-annual journal, The Irish Review (Cork University Press) has just been published:
The Irish Review has provided a forum for critical and creative writing since 1986. With an editorial policy that is pluralist and interdisciplinary we publish articles on the arts, society, philosophy, history, politics, the environment and science. Our aim is to serve a general rather than a specialist readership.
The guest editor is Dr Aaron Kelly, alongside Dr. Colin Graham, Prof. Michael Cronin and Dr. Clare O’Halloran, and addresses Cultures of Class. The cover image is from THE MARKET:
Bell, Decommissioned Trading Floor,
Irish Stock Exchange (ISE)
Dublin, Ireland, July 2012
A podcast in relation to this issue can be heard here.















