September 27, 2017 § 1 Comment
THE MARKET – Installation
Le Bleu du Ciel
12, rue des fantasques, 69001 Lyon
September 28 – November 25
Official programme of Resonance de la Biennale de Lyon 2017.
‘In the evolutionary aftermath of the global economic collapse and absence of sustained audio-visual engagement with the central locus of this catastrophic event, the ongoing multi-media transnational project, THE MARKET (2010-), critically addresses the functioning and condition of the global markets and the role of financial capital. It is the continuation of a cycle of long-term projects, beginning in the late 1990s, focused on the predatory context resulting from migrations of global capital. Having undertaken an extensive process of negotiation, averaging 1.5-2 years, to access strategic sites/individuals, the ethnographically-informed project incorporates photographs, film, soundscape, artifactual material, 3D data visualisation & transcripts of verbal testimony. Taking the sphere out of abstraction & positioning it as a pervasive force central to our lives, themes include algorithmic machinery of financial markets, central innovator of this technology, absorption of crises as normalisation of deviance & long range mapping & consequences of financial activity distanced from citizens & everyday life. Profiles include traders, bankers & financial analysts & documentation from London, Dublin, Frankfurt, Amsterdam & Addis Abeba’
The installation is part of the year-long programme, Suite-Nouveau Documentaire by Gilles Verneret, Director, Le Bleu du Ciel.
Full information/Dossier de Presse available here.
Participation has been generously supported by Culture Ireland
THE MARKET is curated by Helen Carey and has been supported by Arts Council of Ireland, Arts Council of Northern Ireland, NEPN (University of Sunderland, UK), Noorderlicht (Netherlands), Institute of Art, Design & Technology (IADT), Gallery of Photography (Dublin), Belfast Exposed, Limerick City Gallery of Art & Centre Culturel Irlandais (Paris).
June 16, 2017 § Leave a comment
‘A Museum of Capitalism* is opening this June in Oakland, California. The museum will be the first of its kind in the United States remembering the historic era of capitalism, dedicated to “educating future generations about the ideology, history, and legacy of capitalism”. Through multimedia exhibits created by a diverse network of artists, scholars, and ordinary citizens, the museum’s opening exhibition will explore the historical phenomenon of capitalism and its intersections with themes including race, class, and the environment. Representing the collaborative efforts of a multidisciplinary team of curators, historians, artists, and designers, the museum’s inaugural exhibition will feature several multimedia exhibits and experiences created by some of today’s most dynamic artists.
Opening on Saturday, June 17th at 6pm. More information on events and ongoing programming here. The exhibition continues until August 20th, 2017.
The Museum of Capitalism is curated by Andrea Steves & Timothy Furstnau (FICTILIS) and includes work by Alexander Rose, Art for a Democratic Society, Ben Bigelow, Bureau d’Etudes, Chip Lord, Dread Scott, Igor Vamos, Jennifer Dalton, Jenny Odell, Jordan Bennett, Kambui Olujimi, Kate Haug, Marisa Jahn, Mark Curran, Michelle de la Vega, Oliver Ressler, Patricia Reed, Rimini Protokoll, Sharon Daniel, Superflex, Tim Portlock and Valeria Mogilevich amongst others.
The exhibition will also include a library where visitors can browse several collections and learn more about the exhibits, as well as a recreation of an early-21st Century museum gift shop. Artifacts of capitalism, donated and loaned from citizens across the country, will be on display alongside the exhibits.
February 15, 2017 § Leave a comment
Part of the College Arts Association 105th Annual Conference being held in New York, the panel, convened by Marisa Lerer (Manhattan College) & Conor McGarrigle (DIT) includes Amy Whitaker, Elena Shtromberg, Derek Curry/Jennifer Gradecki & Mark Curran
The recent release of the Panama Papers revelation is just one in many that highlight the link between art and ethically (if not legally) corrupt financial markets. The relationship between financial speculators and emerging artists is another example of the complicated and compromised control that finance holds on the art market. In addition, historically and recently artist activists have been calling attention to and transforming the relationship of corporate patronage within art institutions. This session aims to explore patronage, collaboration, and alternative systems in art and finance. This panel seeks papers that examine specific aspects of the financial crisis and projects that critique existing models and present alternatives such as crypto-currency models to financial infrastructures and calls for divestment. Can there be a system of ethics surrounding art’s role within the exchanges of capital? How have artists working in public art in the expanded field translated, shifted and reframed financial structures? What is the arts and art institutions’ role in visualizing the complex networks of successive financial crises and presenting alternatives that may rebuild systems of trusts between the public and global financial markets? Case studies are welcome as are proposals for future projects.This session encourages participation from artists, art historians, curators, and theorists.
November 14, 2016 § Leave a comment
NEPN is pleased to welcome Mark Curran to Newcastle to speak about his photographic practice on Wednesday 16 November at 6.30pm at the Mining Institute, Neville Hall, Westgate Road, Newcastle, NE1 1SE.
The talk will start at 6.30pm prompt in the Lecture Theatre and will be followed by drinks and informal conversation in the Library until 8.30pm.
The talk is free however booking is requested HERE.
Mark Curran is an artist researcher and educator who lives and works in Berlin and Dublin. He holds a practice-led PhD from the Dublin Institute of Technology, is Lecturer on the BA (Hons) Photography programme, Institute of Art, Design & Technology (IADT), Dublin and Visiting Professor on the MA in Visual & Media Anthropology, Freie Universität Berlin.
Incorporating multi-media installation informed by ethnographic understandings, since the late 1990s, Curran has undertaken a cycle of long-term research projects, critically addressing the predatory context resulting from the migrations and flows of global capital. These have been extensively published and exhibited, including DePaul Art Museum, Chicago (2010), Encontros da Imagem, Braga (2011), PhotoIreland, Dublin (2012), Grimmuseum, Berlin (2013) & FORMAT, Derby (2013). He has also presented widely including The Photographers’ Gallery, London (2012), Irish Museum of Modern Art (IMMA) (2013), Abbey Theatre, Dublin (2014), McGill University, Montreal (2014), Royal Anthropological Institute, London (2015), University of Ljubljana (2015), University of Bern (2015), Glucksman Gallery of Art (2016) & Boston University (2016).
Mark Curran’s The Economy of Appearances was commissioned by Noorderlicht Photofestival 2015 and NEPN. Sited in the new financial district of Zuidas on the outskirts of Amsterdam, the work focuses on the Netherlands role in global structures of High Frequency Trading (HFT) and Shadow Banking. It is an elaboration of his long-term transnational research project, THE MARKET, focusing on the functioning and condition of the global markets.Taking the sphere out of abstraction and positioning it as a pervasive force central to our lives, themes include algorithmic machinery of financial markets, as central innovator of this technology, absorption of crises as normalisation of deviance, and long-range mapping and consequences of financial activity distanced from citizens and everyday life.
Supported by Arts Council of Ireland & curated by Helen Carey, THE MARKET has been presented at Gallery of Photography, Dublin (2013), Belfast Exposed Gallery (2013), Centre Culturel Irlandais, Paris (2014) and Noorderlicht, Groningen (2015). An extensive exhibition, titled The Economy of Appearances was presented at Limerick City Gallery of Art (LCGA), Ireland in Autumn 2015 and nominated by Christiane Monarchi, Photomonitor (UK) for the Deutsche Börse Photography Award 2016. Extracts from the project feature in a group exhibition on mapping global networks of capital titled, I Stood Before The Source currently installed at the Blackwood Gallery, Toronto, Canada. Future installations are confirmed for the UK & France in 2016/17 and a full publication of THE MARKET is also planned.
Video Profile: https://vimeo.com/user6725215
Recent interview with Lewis Bush on Disphotic (UK): http://www.disphotic.com/market-interview-mark-curran/
Please note that disabled access to the Lecture Theatre is gained at the rear of the building and it is best to telephone the Mining Institute ahead on (0191) 232 2201.
Image: Financial Surrrealism (World Trade Center II) , Hoarding, Zuidas Financial District, Amsterdam, Netherlands, From THE MARKET (2010-)
NEPN was established in 2009 to promote and develop photography in the North East of England and beyond. Working with photographers, artists, curators and a wide range of cultural partners, we aim to create a lively and informed context for photographic activity and to encourage new audiences for photography. NEPN is hosted by and is an initiative of the Northern Centre of Photography at the University of Sunderland.
its Since our launch NEPN has established a wider national and international profile for its programme and continues to act as an influential agency for photographers and lens-based artists.
To join NEPN’s mailing list to receive information about events and opportunities please sign up HERE
NEPN is funded by the University of Sunderland. Current commissioning and professional development programme is supported by Arts Council England through Grants for the arts.
NEPN is a member of the North East Contemporary Visual Arts Network (CVAN).
May 24, 2016 § Leave a comment
In this conference we investigate the potential of visual media to convey and respond to existing as well as emerging social realities. We aim to contribute to an interdisciplinary field of research and practice that includes anthropology, philosophy and visual art. The visual media we wish to discuss range from photography and film to digital media, audio-visual installations and exhibitions.
CAMERA AS CULTURAL CRITQUE – Juxtaposition, Intervention and Co-Creation
Aarhus University & Moesgaard Museum (Denmark)
25-27 May 2016
Speakers include Trinh T. Minh-ha, Andrew Irving, Christian Suhr, Jennifer Deger, Catherine Russell, Jane Jin Kaisen, Mark Curran, Ton Otto, Karen Waltorp and Peter Crawford
Full details available here.
The conference is organised by the research group Camera as Cultural Critique based at the Eye & Mind Laboratory for Visual Anthropology at Aarhus University and Moesgaard Museum. This four-year research initiative (2013-2016) investigates the potential of using visual technologies and methodologies in social science research in practice. We collaborate with a variety of international researchers and practitioners, with the aim of establishing visual anthropology as a distinct form of critique within anthropology and the social sciences in general.
May 4, 2016 § Leave a comment
Mark Curran / THE MARKET
As part of a series of events organised by Peggy Sue Amison (Curator & Artistic Director, East Wing), Irish Artist, Mark Curran will giving a talk on his research project on the functioning and condition of the global markets, THE MARKET, next Monday, May 9th at tête (artist-run project space). All begins at 7.30.
Irish Artist, Mark Curran will talk about his current ongoing transnational project, THE MARKET, which continues a cycle to date, and focuses on the functioning and condition of the global markets. It has been supported by Arts Council of Ireland & curated by Helen Carey. Future installations are confirmed for the UK & France in 2016/17 and a full publication is also planned.
March 25, 2016 § Leave a comment
‘In Mark Curran’s practice, projects unfold over time. (Since the late nineties) Curran has undertaken a cycle of long-term, ethnographically-informed multimedia research projects addressing the predatory context resulting from migrations and flows of global capital…in this major exhibition, The Economy of Appearances, Curran draws these projects together for the first time, expanding the enquiry with newly commissioned work completed in Amsterdam. Incorporating photographs, film, sound, artifactual material and testimony, themes include algorithmic machinery of financial markets, as innovator of this technology, absorption of crises as normalisation of deviance, and long range mapping and consequences of financial activity distanced from citizens and everyday life’ Helen Carey
from Installation at Limerick City Gallery of Art (Autumn 2015)
Filming Isabella Walsh
Editing Isabella Walsh & Mark Curran
Thanks to Arts Council Ireland, Noorderlicht Photography, NEPN (University of Sunderland), Institute of Art, Design & Technology (IADT), Belfast Exposed Photography Gallery, Arts Council of Northern Ireland, Gallery of Photography & Culture Ireland
Full information here (e-flux).
Installation images here.
February 24, 2016 § Leave a comment
How does the marketplace affect our everyday lives? What happens as goods proceed from the factory floor to the trading floor and what role does the economy play in contemporary society? This series of Perspectives asks invited experts to address current economic questions both within Ireland and internationally.
It is in the context of the current show Chris has curated in collaboration with Declan Jordan, lecturer in economics at University College Cork (UCC), titled EVERYTHING MUST GO. The group exhibition addresses the role of art and the market.
Full details here.
December 12, 2015 § Leave a comment
Rachael Campbell-Palmer, Liam Crichton, Mark Curran, Cian Donnelly, Caroline Doolin, Brian Duggan, Gabhann Dunne, Glenn Fitzgerald, Gemma Fitzpatrick, Timothy Furey, Eileen Gray, Seán Grimes, Siobhán Hapaska, Jacqueline Holt, Kevin Lindsay, Eilis McDonald, Lucy McKenna, Eva Rothschild, Gary Shaw
Selected by Anne Kelly, Daniel Jewesbury, Gavin Murphy & Mark Cullen
6–8pm, Friday 11th December 2015
Please see gallery websites for hours and Christmas closing
An artwork, like a book, is not made up of individual words on a page each of which with a meaning, but is instead “caught up in a system of references to other books, other texts, other sentences” †
Not a group exhibition per se, Periodical Review is a discursive action, with the gallery as a magazine-like layout of images that speak (the field talking to itself). This is the exhibition as resource, in which we invite agents within the field to engage with what were for them significant moments, practices, works, activity, objects: nodes within the network.
Periodical Review is an annual survey of recent Irish art, selected in collaboration with invited curators/peers from around Ireland. Each year, Pallas Projects invite two peers – artists, writers, educators, curators – to review and subsequently nominate a number of art practices, selected via an editorial meeting. Such a review-type exhibition within Irish art practice acts to revisit; to be a reminder, a critical appraisal and consolidation of ideas and knowledge; to facilitate and encourage collaboration, crossover and debate.
In looking at self-organized exhibitions, off-site projects, commercial gallery and museum shows, Periodical Review looks to share a spectrum of practices, creating dialogue and critical reflection to help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, expanding the experience of art practices from around the country.
Daniel Jewesbury (b. London, 1972) studied Fine Art at NCAD and moved to Belfast in 1996, where he’s worked as an artist, writer, editor and curator ever since. Daniel was a co-editor of Variant from 2000 to 2012, was a prolific contributor to Belfast’s satirical newspaper The Vacuum, and has been published in journals including Third Text, the Edinburgh Review and Art & Research. He is currently researching the relationships between death and desire in the modern city, for a major exhibition he is curating in 2016. Daniel is employed as a Lecturer in Film Studies at the University of Ulster.
Anne Kelly is Programme Curator at the NCAD Gallery, National College of Art and Design, Dublin (2011–). She has previously worked independently as a curator, artist, educator and arts manager on a wide range of exhibitions, projects and live events; and has also held positions at Kerlin Gallery, Temple Bar Gallery + Studios, Sculptors Society of Ireland, Trinity College Dublin and Dublin City University, all Dublin. She is the recipient of Arts Council of Ireland, and CREATE: National Development Agency for Collaborative Arts and County Council awards. Kelly is an NCAD Fine Art graduate and earned an MSc in Computer Science, Trinity College Dublin.
Previous co-curators of Periodical Review: Mary Conlon (Ormston House) & Paul Hallahan (artist & independent curator); Matt Packer (Glucksman/Treignac/CCA) & Michele Horrigan (Askeaton Contemporary Arts); Eamonn Maxwell (Director, Lismore Castle Arts) & Padraic E. Moore (Independent curator), Ruth Carroll (RHA) & Carl Giffney (Good Hatchery).
† Michel Foucault, The Archaeology of Knowledge
Periodical Review #5 is an initiative of Pallas Projects in collaboration with NCAD Gallery. Pallas Projects 2015 programme is supported by Dublin City Council
Dedicated to editor, educator, art writer, colleague & friend, Jason Oakley (1968-2015)